Dream Alcalá Blog Página 1318

Casa de Hippolytus

Casa de Hippolytus - Maqueta del exterior
Casa de Hippolytus - Maqueta del exterior

Casa de Hippolytus is the first archaeological site of the Community of Madrid that was turned into a museum. Roman remains of the site—one of the best preserved of the region—were discovered in 1990 and able to visit in 1998.

Important discoveries in relation with Hispania were found decades ago among diverse excavations of the Roman city of Complutum. The most representative remain is Casa de Hippolytus, especially due to its mosaic and garden, also able to be visited since 1998.

Nor house, nor Hippolytus

Complutum, the most important Roman city of the center of the Iberian Peninsula at that time—two thousand years ago—, was so due to its strategic emplacement; in the middle of the way between Merida’s surroundings and the areas of Catalonia and Murcia, where huge Roman settlements’ were established. The road linking Emerita Augusta (Merida) and Caesar Augusta (Zaragoza) passed through Complutum, across today’s Camino del Juncal, in Alcalá.

The archaeological excavations—even though some started as early as the sixteenth century by members of Cisnerian Univerisity —started in a systematized way during the eighties. Abundant remains of that time have been found in Complutum, great part of which are hold on the Museo Arqueológico Regional, in Plaza de las Bernardas.

The most important settlement has indeed a very curious name, Casa de Hippolytus, even though the building was not a private home—but a Collegium Iuvenuma, school for young boys —and the property does not belong to any Hippolytus —who in fact was the author of the wonderful mosaic preserved in there.

The specialists who named the house did it after a tradition, that of relate the title with the most relevant elements of the excavation site content. It is thought that in the Pre-Roman period the construction set up in that place, probably devoted to a water deity, was buried under a Roman tavernae—shop or business premises—during the time of the emperor Claudius, first century after Christ.

However, in the middle of the third century after Christ, a deep reform was undertaken in order to raise the Colegio de Jóvenes, one of the few notable of Hispania.

School for Young Aristrocrats

The institution was supported by the rich family los Annios, who constructed their family mausoleum 100 meters distance from Casa de Hippolytus. The school was dedicated to the cultural and religious education and also included ludic and sportive activities for the children of the governing class of the city, the aristocracy. The young, in a wide sense, since the majority of them were teenagers; although some individuals within the preserved name lists were even forty years old.

The building was in a vast property in Complutum suburbs and housed large gardens, whose remains have today a huge historical value. Along with Pompeya’s, they are the only untouched gardens preserved from the Roman period.

The house was a school —one of the few safeguarded today— hosting young people until the end of the fourth century and beginning of the fifth, when it turned into a necropolis, with its own Christian church. Several tombs of that period have also been discovered. Many of the constructed areas had a vaulted roof, known thanks to the structure remains used by Romans to build them—some ceramic bottles bottomless, the tubuli fictile, fitting together and making up the arch.

Public Baths

Other notable remains are located in the public baths, with pools of varying temperature. The first containing lukewarm water—or tepidarium—, the second full of hot water—or caldarioum— and a third, of cold water, the only which is still open—or frigidarium. The baths, a very important social ritual for Romans, were used in such order. Constructed with a highly water-resistant material such as green grinded bricks; the heating and hot water comes from adjacent cauldrons sending heat through pipes under the floor, similar to current underfloor heating.

There was also a room dedicated to the worship of the goddess Diana Cazadora, surely surrounded by images of Hercules and by the genius of the Youth, the most common in such kind of religious places. Diana was a deity related with mineral waters, and, as Romans considered such waters medicinal, their relationship with the spirits of Nature was venerated through them. In Casa de Hippolytus, there is a well with great quantity of sulfates.

Oriental Garden

One of the most relevant parts of Casa de Hippolytus is its garden, Oriental in character. In other words, the garden followed the same style of those designed in the Near East at the same period, which were considered by Romans as the height of refinement. The seeds and pollen analysis has shown that there were pine trees, holm and oak trees, but also lime and cedar trees from Lebanon. There were as well date palms, canes, jasmines and other exotic species. Likely, aromatic and medicinal plants could be founded within the enclosure.

Notwithstanding, in that fantastic garden not only were exotic plants. It also has pigeons and pelicans, loose and put in a cage. All these whims incurred heavy expenses due to its foreign character; not autochthonous species had to be imported from distant lands as Egypt and Mesopotamia.

The garden was not just an amusement area; having an essential role into the school functioning: where classes were given. The exact place is well-preserved, preserving its parade-shape, with rows of semicircular long stone benches called exedras. They had a total capacity from eighty to a hundred sites, and were used for both debates and discourses, or meals. Besides, it was a pleasant place for chats and leisure for both students and teachers. They were covered by tarpaulin—secured in a lattice or wooden gates situated behind the rows of benches— providing a dense shadow and a quiet place for conversation.

The Sea Mosaic of Hippolytus

The great jewel of Casa de Hippolytus is precisely, the mosaic of Hippolytus master, an artist probably from north Africa. The mosaic is set up in the central garden were the frigidariums—or cold water pool—was situated. Inside the pool, it is represented a boat with three oarsmen surrounded of a great number of Mediterranean fish and mollusk, like octopus. morays, dolphins, sea urchins, red scorpion-fish and others. The image supposed an important didactical element, so you should not forget that students lived far away from the sea, in the middle of the plateau.

Latrines

Another well documented and recreated room from Casa de Hippolytus is the latrines. In a large and cared space, there are mosaics and seats—that could be built-in or made in marble—leaning against the door; and a water channel under them, by which the water runs to avoid unpleasant smells. They also constructed sinks for the toilet (as current washbasins), built with a variety of materials, probably marble, with heads and arms richly decorated. A curiosity incomprehensible for us, due to our current costumes, is that Romans went to relieve themselves to latrines in group, as it was considered a collective activity.

Every stay in Casa de Hippolytus is perfectly documented, allowing to visitors a very precise image of how their elements were and how was the life lived in there, transferring you back seven hundred years back in time and meeting Roman antecessors of the current Alcalá.

Additional Information:

Useful information:

  • Address: Avenida Madrid, antigua nacional II, Km 28
  • Teléfono: +34 91 881 32 50

Access from Madrid

  • Renfe Cercanías railroads C-1, C-2 and C7A.
  • Bus nº 223 (departure from Avenida de América Interchanger).

Opening hours

Summer (May to Sept.):

  • Tue-Fri: from 10:00 a.m. to 2:00 p.m. (Monday closed)
  • Sat and Sun: From 10:00 a.m. to 2:00 p.m. and from 5:00 p.m. to 8:00 p.m.

 

Winter (Oct to Apr.):

  • Tue-Fri: from 10:00 a.m. to 2:00 p.m. (Monday closed)
  • Sat and Sun: From 10:00 a.m. to 2:00 p.m. and from 4:00 p.m. to 7:00 p.m.
  • Closed: Dec: 24, 25 and 31. Jan: 1 and 7
  • Ticket price: 1 €

 

Image gallery:

[gdl_gallery title=»casa-de-hippolytus» width=»120″ height=»95″]

On video:

Where is it


View larger map

 

Casa de Hippolytus

Casa de Hippolytus - Maqueta del exterior
Casa de Hippolytus - Maqueta del exterior

Este texto también está disponible en español

Casa de Hippolytus is the first archaeological site of the Community of Madrid that was turned into a museum. Roman remains of the site—one of the best preserved of the region—were discovered in 1990 and able to visit in 1998.

Important discoveries in relation with Hispania were found decades ago among diverse excavations of the Roman city of Complutum. The most representative remain is Casa de Hippolytus, especially due to its mosaic and garden, also able to be visited since 1998.

Nor house, nor Hippolytus

Complutum, the most important Roman city of the center of the Iberian Peninsula at that time—two thousand years ago—, was so due to its strategic emplacement; in the middle of the way between Merida’s surroundings and the areas of Catalonia and Murcia, where huge Roman settlements’ were established. The road linking Emerita Augusta (Merida) and Caesar Augusta (Zaragoza) passed through Complutum, across today’s Camino del Juncal, in Alcalá.

The archaeological excavations—even though some started as early as the sixteenth century by members of Cisnerian Univerisity —started in a systematized way during the eighties. Abundant remains of that time have been found in Complutum, great part of which are hold on the Museo Arqueológico Regional, in Plaza de las Bernardas.

The most important settlement has indeed a very curious name, Casa de Hippolytus, even though the building was not a private home—but a Collegium Iuvenuma, school for young boys —and the property does not belong to any Hippolytus —who in fact was the author of the wonderful mosaic preserved in there.

The specialists who named the house did it after a tradition, that of relate the title with the most relevant elements of the excavation site content. It is thought that in the Pre-Roman period the construction set up in that place, probably devoted to a water deity, was buried under a Roman tavernae—shop or business premises—during the time of the emperor Claudius, first century after Christ.

However, in the middle of the third century after Christ, a deep reform was undertaken in order to raise the Colegio de Jóvenes, one of the few notable of Hispania.

School for Young Aristrocrats

The institution was supported by the rich family los Annios, who constructed their family mausoleum 100 meters distance from Casa de Hippolytus. The school was dedicated to the cultural and religious education and also included ludic and sportive activities for the children of the governing class of the city, the aristocracy. The young, in a wide sense, since the majority of them were teenagers; although some individuals within the preserved name lists were even forty years old.

The building was in a vast property in Complutum suburbs and housed large gardens, whose remains have today a huge historical value. Along with Pompeya’s, they are the only untouched gardens preserved from the Roman period.

The house was a school —one of the few safeguarded today— hosting young people until the end of the fourth century and beginning of the fifth, when it turned into a necropolis, with its own Christian church. Several tombs of that period have also been discovered. Many of the constructed areas had a vaulted roof, known thanks to the structure remains used by Romans to build them—some ceramic bottles bottomless, the tubuli fictile, fitting together and making up the arch.

Public Baths

Other notable remains are located in the public baths, with pools of varying temperature. The first containing lukewarm water—or tepidarium—, the second full of hot water—or caldarioum— and a third, of cold water, the only which is still open—or frigidarium. The baths, a very important social ritual for Romans, were used in such order. Constructed with a highly water-resistant material such as green grinded bricks; the heating and hot water comes from adjacent cauldrons sending heat through pipes under the floor, similar to current underfloor heating.

There was also a room dedicated to the worship of the goddess Diana Cazadora, surely surrounded by images of Hercules and by the genius of the Youth, the most common in such kind of religious places. Diana was a deity related with mineral waters, and, as Romans considered such waters medicinal, their relationship with the spirits of Nature was venerated through them. In Casa de Hippolytus, there is a well with great quantity of sulfates.

Oriental Garden

One of the most relevant parts of Casa de Hippolytus is its garden, Oriental in character. In other words, the garden followed the same style of those designed in the Near East at the same period, which were considered by Romans as the height of refinement. The seeds and pollen analysis has shown that there were pine trees, holm and oak trees, but also lime and cedar trees from Lebanon. There were as well date palms, canes, jasmines and other exotic species. Likely, aromatic and medicinal plants could be founded within the enclosure.

Notwithstanding, in that fantastic garden not only were exotic plants. It also has pigeons and pelicans, loose and put in a cage. All these whims incurred heavy expenses due to its foreign character; not autochthonous species had to be imported from distant lands as Egypt and Mesopotamia.

The garden was not just an amusement area; having an essential role into the school functioning: where classes were given. The exact place is well-preserved, preserving its parade-shape, with rows of semicircular long stone benches called exedras. They had a total capacity from eighty to a hundred sites, and were used for both debates and discourses, or meals. Besides, it was a pleasant place for chats and leisure for both students and teachers. They were covered by tarpaulin—secured in a lattice or wooden gates situated behind the rows of benches— providing a dense shadow and a quiet place for conversation.

The Sea Mosaic of Hippolytus

The great jewel of Casa de Hippolytus is precisely, the mosaic of Hippolytus master, an artist probably from north Africa. The mosaic is set up in the central garden were the frigidariums—or cold water pool—was situated. Inside the pool, it is represented a boat with three oarsmen surrounded of a great number of Mediterranean fish and mollusk, like octopus. morays, dolphins, sea urchins, red scorpion-fish and others. The image supposed an important didactical element, so you should not forget that students lived far away from the sea, in the middle of the plateau.

Latrines

Another well documented and recreated room from Casa de Hippolytus is the latrines. In a large and cared space, there are mosaics and seats—that could be built-in or made in marble—leaning against the door; and a water channel under them, by which the water runs to avoid unpleasant smells. They also constructed sinks for the toilet (as current washbasins), built with a variety of materials, probably marble, with heads and arms richly decorated. A curiosity incomprehensible for us, due to our current costumes, is that Romans went to relieve themselves to latrines in group, as it was considered a collective activity.

Every stay in Casa de Hippolytus is perfectly documented, allowing to visitors a very precise image of how their elements were and how was the life lived in there, transferring you back seven hundred years back in time and meeting Roman antecessors of the current Alcalá.

Additional Information:

Useful information:

  • Address: Avenida Madrid, antigua nacional II, Km 28
  • Teléfono: +34 91 881 32 50

Access from Madrid

  • Renfe Cercanías railroads C-1, C-2 and C7A.
  • Bus nº 223 (departure from Avenida de América Interchanger).

Opening hours

Summer (May to Sept.):

  • Tue-Fri: from 10:00 a.m. to 2:00 p.m. (Monday closed)
  • Sat and Sun: From 10:00 a.m. to 2:00 p.m. and from 5:00 p.m. to 8:00 p.m.

 

Winter (Oct to Apr.):

  • Tue-Fri: from 10:00 a.m. to 2:00 p.m. (Monday closed)
  • Sat and Sun: From 10:00 a.m. to 2:00 p.m. and from 4:00 p.m. to 7:00 p.m.
  • Closed: Dec: 24, 25 and 31. Jan: 1 and 7
  • Ticket price: 1 €

 

Image gallery:


On video:

Where is it


View larger map

 

Sábana Santa en Alcalá de Henares

Sábana Santa. Exposición Convento cisterciense de las Bernardas
Sábana Santa. Exposición Convento cisterciense de las Bernardas

Exposición de la Sábana Santa en Alcalá

¿Sabías que la Sábana Santa es uno de los objetos más estudiados de la historia? ¿Qué su imagen posee 9 características a las que la ciencia no puede dar explicación? ¿Qué contiene la imagen del cuerpo de un hombre con visibles signos de tortura?

Conoce estos y otros detalles en la exposición La Sábana Santa, que se celebrará del 1 de octubre al 12 de enero en el convento cisterciense de las Bernardas, en la plaza de las Bernardas, y a solo unos metros del Museo Arqueológico Regional.

Una gran oportunidad para disfrutar de un día de museos en Alcalá.

Horarios

Lunes a Domingo de 10:00 a 21:00 horas

(Último pase a las 20:00 horas)

  • La entrada a la exposición es por sesiones cada 15 minutos.
  • La exposición tiene una duración aproximada de 50 minutos.

Entradas

  •  8€ General *
  •  6€ Reducida*(mayores de 65 años, minusválidos, estudiantes, menores de 18 años, parados). También para    grupos de más 15 personas.
  •  Menores de 7 años, entrada gratuita

*Todas las tarifas incluyen  audio-guía: disponible en: español-inglés-alemán-francés-italiano.

Venta:

Reserva:

 

Más información:

 

Galería de imágenes:

[gdl_gallery title=»exposicion-de-la-sabana-santa»  width=»120″  height=»95″ galid=»1″ ]

The Holy Shroud in Alcalá de Henares

Sábana Santa. Exposición Convento cisterciense de las Bernardas
Sábana Santa. Exposición Convento cisterciense de las Bernardas

The Holy Shroud in Alcalá de Henares

Do you know that the Holy Shroud is one of the most studied objects in history? Do you know that the image in the shroud has 9 features that science can not explain? Do you know that the Shroud contains the image of a man’s body with signs of torture?

Meet these and other details in the Holy Shroud exhibition, to be held from October 1st to January 12th in the Cistercian convent of Bernardine, just near the Archbishop’s Palace and metres away from the Regional Archaeological Museum.

A fantastic opportunity to enjoy a great museums day in Alcalá.

Opening hours

Monday to Sunday from 10 a.m. to 9 p.m.

(Last screening at 8 pm)

Admission to the exhibition is by sessions every 15 minutes.
The exhibition lasts approximately 50 minutes.

Tickets

€ 8 General *
€ 6 Reduced * (over 65 years old, disabled, students, under 18 years old, unemployed). Also for groups over 15 people.
Children under 7 years free entry
* All rates include audio guide: available in: Spanish-English-German-French-Italian.

Sale:

At the exhibition booth
Online through the following link: Holy Shroud Exhibition

Reservation:

Email: administracion@sabanasantaexpo.com
Or by phone: +34 923 19 77 62

Additional information:

 

 

Image gallery:

[gdl_gallery title=»exposicion-de-la-sabana-santa»  width=»120″  height=»95″ galid=»1″ ]

ALCINE: Alcalá’s Film Festival

Festival ALCINE. Imagen ©ALCINE
Festival ALCINE. Imagen ©ALCINE

Alcalá de Henares’ film festival (ALCINE), held in November, has acquired its prestige over its more than 40 years of history until turning into one of the most important short-film contests on a nationwide scale, and an obligatory reference for experts and lovers.

Among dozens and dozens of similar festivals, Alcalá’s Film Festival, ALCINE, is a real cultural event, not only on a local level, but also on a regional, the Community of Madrid, national and even an international level; it is not for nothing that it has 44 years of life.

Famous directors such as Santiago Segura, Alejandro Amenábar, Alex de la Iglesia or Fernando Colomo became known in ALCINE. That list of figures gets longer with Fernando León de Aranoa, Isabel Coixet, Mariano Barroso or Juanma Bajo Ulloa, as well as many others, including directors and actors.

The ALCINE festival was born and grew up screening short films, offering a way to enter the film industry and allowing creators to exhibit their first works. The high quality required to be selected for the festival has consolidated its prestige, in as much as the level of excellence participants has always been maintained.

Curiosity
The vocation of ALCINE is to be a showcase for the best of Spanish cinema, especially for its new creators, young talents. Thus, the contest has emerged as a real springboard for many of its participants who, with time, become prestigious moviemakers with international careers.

The Short Films City

ALCINE is a leading cultural event where not only national and European contests take place, but also a great number of parallel activities such as film workshops, expositions, concerts, specialized books production and congress of authors, producers and distributors. Hence, the festival meets different aspects of world of cinema, not only the artistic field, but also the industrial and commercial one. During fifteen days, Alcalá turns into a city devoted to cinema, which is easily noticed through posters, advertising, mass media and hoardings.

Curiosity
During fifteen days, in the middle of November, Alcalá turns into a city devoted to cinema, which is easily noticed through posters, advertising, mass media and hoardings.

ALCINE is celebrated, every year, in the middle of November, and it is funded by public administrations, both local and regional, as an overview of the best Spanish short films of each year gathered in a competition. The festival includes a European short film contest, really famous, in which participants of the whole continent take part. All feature films by new directors are presented to society within the section Open Screen, prized by the festival organization and the viewers, who, after the screening, vote in favor of their favorite film in the very same moment of leaving the screening room…

The Best Feature Films

The Muestra Internacional de Largometrajes [International Film Exhibition]—parallel to ALCINE—, shows the best films released along previous year, and, in many cases, offers the opportunity to watch movies that previously impossible to screen. This exhibition was held, until a few years ago, as a second part of the festival; but currently, it takes place the month after, around December.

Years ago, the Muestra Internacional de Largometrajes used to screen a great number of films, many of them ran in Spanish screens for a long time; but, over time, the selection has been reduced—though the quality exigency is even higher, if possible. For instance, in 2012 they skipped the Oscar-winning “The Artist”—in honor of silent movies—, the last creation of Woody Allen: “To Rome with Love”, the highly reputed film noir “Killing Them Softly” and the winners of two Goya prizes “Unit 7” and “The Pirates!”—an animated adventure for kids from the British studio Aardman Animations, Ltd.

More than 1300 Short Films

During the last edition of ALCINE, more than 1300 short movies have been released, which forms an impression of what it means not only to be a prizewinner, but simply to be displayed in the festival—scarcely a hundred films will finally compete in the contest.

The vocation of ALCINE is to be a showcase for the best of Spanish cinema, especially for its new creators, young talents. Thus, the contest has emerged as a real springboard for many of its participants who, with time, become prestigious moviemakers with international careers.

This devotion for cinema reached its goal; ALCINE’s festival has gradually become larger through the years, and that is why, since the eighties’, all kind of tributes have been organized, both to great foreign directors and Spanish ones: like Taviani brothers, the Chilean Raúl Ruiz, or the Spanish Gonzalo Suárez or Iván Zulueta—always looking for the creator the most committed to cinema as an artistic activity, considering that the so-called “main stream” are already present during the whole year on commercial screens.

Tributes to Cinema Figures

By virtue of this artistic character, tributes to the main cinema figures—who make possible its existence—are paid, such as producers (like Emiliano Piedra), set designers (as Enrique Alarcón), musical composers (for instance, Carmelo Bernaola), photography directors of scriptwriters, through important expositions and publications about their work.

Other activities have been symposiums, expositions and books about all kind of commemorations and events. In 1996, when the centenary of Spanish cinema was reached, the ALCINE’s festival theme was centered in the history of Spanish short films, while in 1997, on the occasion of the 450th anniversary of Miguel de Cervantes birth, the 28th festival published the book “Cervantes en el cine” [Cervantes in fiction].

ALCINE has gradually become larger over time, offering every year more activities so; to take part of the festival in its entirety gets more difficult each edition. Educational workshops about cinema and photography, videos and new technologies applied to cinema have been created, as well as meetings such as the one celebrated in 1984, when directors from the five more important film schools in Europe gathered—Lisbon, Paris, London, Moscow and Rome—; opening a dialog with those institutions that continues today.

Alcalá, Cinema Galaxy

There are plenty of sections, varied over the years, that always try to announce foreign short films, whether Italy, Brazil or China, with retrospectives to numerous figures who marked new ways in each moment of film history and enjoyed the best reviews.

In the same way, there are always heterogeneous expositions about directors, actors, countries or formats, allowing visitors to discover all characters of the cinema universe—further over the names of the “star system”—who, however, have won a well-deserved distinction.

Short and feature films are screened within the classical Teatro Salón Cervantes—that, before being re-allocated as theatre, was a cinema—and also into the Corral de Comedias; a nostalgic milestone in memory of the most veteran Alcalá’s inhabitants, who, before the Corral was discovered and restored, gathered at Cervantes’ cinema, where even morning showings were available.

Additional Information:

 

Aníbal en Hispania

Desde el 9 de julio de 2013 al 12 de enero de 2014 está disponible en el Museo Arqueológico Regional la exposición ‘Fragor Hannibalis. Anibal en Hispania’  la  nueva exposición temporal del Museo que a través de la figura del general y príncipe Aníbal Barca, da a conocer las huellas de la cultura púnica en la Península Ibérica.

La muestra, comisariada por el catedrático de arqueología Manuel Bendala Galán, reitera el compromiso de la Comunidad de Madrid con el fomento del conocimiento de la historia y su interpretación y desarrolla lo que sabemos del personaje y de su dinastía, los Barca, que se instalaron en la Península Ibérica en el siglo III a.C.

Basaron su poder en la creación de grandes ciudades de una gran complejidad urbanística, en la autoridad de príncipes poderosos, émulos de los dioses mismos, en ejércitos organizados y con eficaces armas de guerra, en la explotación planificada de los recursos naturales, en una hábil diplomacia.

De una manera amena y didáctica la exposición del Museo Arqueológico Regional, organizada en varias unidades temáticas, trata de ofrecer respuestas claras y directas sobre la figura de Aníbal y su poder. En el recibidor de la exposición se dan algunas de las claves de su protagonista y de la contundencia de su presencia y actuación en Hispania, a través de algunos de sus actos bélicos, de su ‘fragor Hannibalis’.

Aníbal en Hispania - La Dama de Baza -Imagen Úrsula Cargill García

En las siguientes unidades temáticas el visitante va a ir descubriendo quién es Aníbal y en qué radica su enorme poder. Una vez conocido el perfil personal y político de Aníbal como soberano y líder, el visitante pasa a descubrir cuáles eran las bases sobre las que pretendía edificar su sueño imperial. Otro de los interrogantes a los que se intenta dar respuesta es el poder militar y las tácticas empleadas por Aníbal ¿Cómo terminó Aníbal? Es la pregunta que abre los últimos capítulos o pasos por la exposición.

La leyenda de Aníbal ha sobrevivido a su derrota y a su muerte y desde el propio Imperio Romano hasta nuestros días ha sido icono de estratega militar, unas veces ensalzado y otras denostado, pero siempre recordado como se documenta en todas las épocas históricas, mediante cuadros, imágenes escultóricas y tapices.

Fecha: Del 9 de julio hasta el 12 de enero de 2014.

Dirigida a:  Todos los públicos.

Lugar: Museo Arqueológico Regional

Anibal in Hispania

From July 9, 2013 to January 12, 2014 is available at the Regional Archaeological Museum the exhibition «Fragor Hannibalis. Anibal in Hispania» the new temporary exhibition of the Museum through the figure of General and Prince Hannibal Barca, discloses traces of Punic culture in the Iberian Peninsula.

Aníbal en Hispania - La Dama de Baza -Imagen Úrsula Cargill García

When: From July 9 to January 12, 2014.

WhereRegional Archaeological Museum

Convent of the Clarisas of San Diego

Convento de las Clarisas de San Diego

The Convent of the Clarisas of San Diego is well known by the delicious  Almonds of Alcalá that are made in it. It is a unique building, located a few meters from the  University of Alcalá.

On the convent façade, whose principal architectonical feature is the simplicity of its lines, it stands out the image of San Diego de Alcalá, who was canonized by Sixto V in 1568. The figure holds a cross and miraculous flowers in his hands, though they are roughly visible due to its security metallic grilles. The Saint remains were removed from the silver urn they were kept in, into the Magisterial Church—current Magisterial Cathedral—and placed here to clean it in 1967.

The presence of the Cisneros Cardinal coat of arms is another important element to stand out within the main door. This presence is explained on account of the allocation of the University printing—founded by the Cardinal—inside the houses María Fernández, aunt of Catalina, gave to the school. Hence, historian has concluded that the famous Complutensian Polyglot Bible could be printed in there.

Outside, in the small square and before resuming your walk, you have the possibility of taking a sit on one of the stone benches and contemplating the bronze statue of Carrillo Archbishop, made by the sculptor Santiago de Santiago in 1987… while savoring some Almonds of Alcalá from the nuns.

The Convent of the Clarisas of San Diego was founded in 1671 by doña Catalina García Fernández. Catalina García was the youngest of five children, daughter of don Bartolomé García and doña Catalina Fernández. She was born in Santorcaz in 1639, and lost her mother that same year. Thus, her aunt, María Fernández—who lived in a house today part of the convent—took charge of her. Catalina García got married at the age of fifteen, had three children and widowed in 1662. Since that moment, she tried to join one of the three Alcalá’s Franciscan Convents; although, it was not until 1665 when she got into the Franciscan Convent with the habits of the Third Order of Penance, and chose the name of Catalina de Jesús y San Francisco. In 1671, a school for girls—named Doncellas Pobres de Santa Clara—was created in a part of the house that her aunt, María Fernández, had previously donated with that aim. Afterwards, the school was turned into a beguinage (reason why they are called beguines) and later, into the monastery that it is today.

Almonds of Alcalá

Almonds of Alcalá are Alcalá’s sweets par excellence, in addition to costrada and ring-shape pastries. Probably of Arabic origin, there are documentary evidences of its existence since eighteenth century, so they have been traditionally famous as Alcalá’s gastronomic ambassadors.

Almonds of Alcalá are made with almonds and toasted sugar syrup. It is a simple but exquisite recipe, used with expertise by the enclosed Convent of the Clarisas of San Diego, whose nuns are called “almonders”. The nuns of the Order of St Claire had worked as dressmakers from time immemorial, and are also known as “Diegas of Alcalá” by being their patron San Diego of Alcalá.

Turnstile and Glazed Tiles

If you are in Alcalá and fancy to get the delicious city’s souvenir in question, you just have to get closer to city center, to calle Beatas, on the corner of plaza de San Diego—where the University is situated. There, the Convent of the Clarisas of San Diego is placed, a modest building of plastered façade, in front of which Alonso de Carrillo archbishop’s statue is set.

Buying Almonds of Alcalá is a real ritual, in as much as you are purchasing in a convent versus a conventional shop. First, you should go through the wooden main door to access an anteroom covered of glazed tiles, there, a small window prevent from taking a sight of the inside. On top of it, a collection of samples is provided: all kind of chests, boxes and packages made of wood, cardboard or plastic, and also different sizes and weights are showed, with their correspondent prices.

Through the small window or turnstile—name this way because its swevelling—you will call the nuns and make your order, receive it and pay it, without seeing the face of the woman who is serving you, as she is an enclosed nun.

Buying Almonds of Alcalá from nuns is not only a commercial exchange but also a revival of the traditions of Alcalá’s convents, from such a peaceful square where you can enjoy the façade of the Cisnerian University.

 

The tourist says:

Almonds of Alcalá
Brian, Utah, USA.

Apart from the University of Alcalá and being the birthplace of Miguel de Cervantes (the author of El ingenioso Don Quijote de la Mancha), Alcalá is also known for its almendras garrapiñadas. Glazed almonds.

Anyway, you can buy these from any shop in town. But the best ones are at the Convent of the Clarisas of San Diego, right next to the University.

These monjas (nuns) are cloistered (meaning they can’t have any contact with the outside world), so there is a super sneaky way to buy almonds from them. You go through a door into a small room. There is a bell and a kind of turntable window. You can’t see the other side of the window. You ring the bell and wait for the monja to get to the other side of the window. The password is «Ave María Purísima» (Hail Mary most pure). The monja replies «Sin pecado concebida» (Conceived without sin). Then you tell her which size box of almonds you want. You put the money on the turntable, then the monja turns it around and BAZINGA! There are your delicious almonds.

The nuns use the money to finance their convent. You get delicious almonds for dirt cheap. It’s a win-win situation. Also, God wants you to give monies to the convent. And you get delicious almonds for dirt cheap. So it’s a win-win-win.

To summarize: «Ave María Purísima» = delicious almonds.

 

Additional Information:

Useful information:

  • Address: Calle de las Beatas, 5
  • Tel:+34 918 88 03 05

 

Access from Madrid

  • Renfe Cercanías railroads C-1, C-2 and C7A.
  • Bus nº 223 (departure from Avenida de América Interchanger).

 

Image gallery:

[gdl_gallery title=»almendras-garrapinadas» width=»120″ height=»95″]

On video:

Where is it


View larger map

 

Convent of the Clarisas of San Diego

Convento de las Clarisas de San Diego

Este texto también está disponible en español

The Convent of the Clarisas of San Diego is well known by the delicious  Almonds of Alcalá that are made in it. It is a unique building, located a few meters from the  University of Alcalá.

On the convent façade, whose principal architectonical feature is the simplicity of its lines, it stands out the image of San Diego de Alcalá, who was canonized by Sixto V in 1568. The figure holds a cross and miraculous flowers in his hands, though they are roughly visible due to its security metallic grilles. The Saint remains were removed from the silver urn they were kept in, into the Magisterial Church—current Magisterial Cathedral—and placed here to clean it in 1967.

The presence of the Cisneros Cardinal coat of arms is another important element to stand out within the main door. This presence is explained on account of the allocation of the University printing—founded by the Cardinal—inside the houses María Fernández, aunt of Catalina, gave to the school. Hence, historian has concluded that the famous Complutensian Polyglot Bible could be printed in there.

Outside, in the small square and before resuming your walk, you have the possibility of taking a sit on one of the stone benches and contemplating the bronze statue of Carrillo Archbishop, made by the sculptor Santiago de Santiago in 1987… while savoring some Almonds of Alcalá from the nuns.

The Convent of the Clarisas of San Diego was founded in 1671 by doña Catalina García Fernández. Catalina García was the youngest of five children, daughter of don Bartolomé García and doña Catalina Fernández. She was born in Santorcaz in 1639, and lost her mother that same year. Thus, her aunt, María Fernández—who lived in a house today part of the convent—took charge of her. Catalina García got married at the age of fifteen, had three children and widowed in 1662. Since that moment, she tried to join one of the three Alcalá’s Franciscan Convents; although, it was not until 1665 when she got into the Franciscan Convent with the habits of the Third Order of Penance, and chose the name of Catalina de Jesús y San Francisco. In 1671, a school for girls—named Doncellas Pobres de Santa Clara—was created in a part of the house that her aunt, María Fernández, had previously donated with that aim. Afterwards, the school was turned into a beguinage (reason why they are called beguines) and later, into the monastery that it is today.

Almonds of Alcalá

Almonds of Alcalá are Alcalá’s sweets par excellence, in addition to costrada and ring-shape pastries. Probably of Arabic origin, there are documentary evidences of its existence since eighteenth century, so they have been traditionally famous as Alcalá’s gastronomic ambassadors.

Almonds of Alcalá are made with almonds and toasted sugar syrup. It is a simple but exquisite recipe, used with expertise by the enclosed Convent of the Clarisas of San Diego, whose nuns are called “almonders”. The nuns of the Order of St Claire had worked as dressmakers from time immemorial, and are also known as “Diegas of Alcalá” by being their patron San Diego of Alcalá.

Turnstile and Glazed Tiles

If you are in Alcalá and fancy to get the delicious city’s souvenir in question, you just have to get closer to city center, to calle Beatas, on the corner of plaza de San Diego—where the University is situated. There, the Convent of the Clarisas of San Diego is placed, a modest building of plastered façade, in front of which Alonso de Carrillo archbishop’s statue is set.

Buying Almonds of Alcalá is a real ritual, in as much as you are purchasing in a convent versus a conventional shop. First, you should go through the wooden main door to access an anteroom covered of glazed tiles, there, a small window prevent from taking a sight of the inside. On top of it, a collection of samples is provided: all kind of chests, boxes and packages made of wood, cardboard or plastic, and also different sizes and weights are showed, with their correspondent prices.

Through the small window or turnstile—name this way because its swevelling—you will call the nuns and make your order, receive it and pay it, without seeing the face of the woman who is serving you, as she is an enclosed nun.

Buying Almonds of Alcalá from nuns is not only a commercial exchange but also a revival of the traditions of Alcalá’s convents, from such a peaceful square where you can enjoy the façade of the Cisnerian University.

 

The tourist says:

Almonds of Alcalá
Brian, Utah, USA.

Apart from the University of Alcalá and being the birthplace of Miguel de Cervantes (the author of El ingenioso Don Quijote de la Mancha), Alcalá is also known for its almendras garrapiñadas. Glazed almonds.

Anyway, you can buy these from any shop in town. But the best ones are at the Convent of the Clarisas of San Diego, right next to the University.

These monjas (nuns) are cloistered (meaning they can’t have any contact with the outside world), so there is a super sneaky way to buy almonds from them. You go through a door into a small room. There is a bell and a kind of turntable window. You can’t see the other side of the window. You ring the bell and wait for the monja to get to the other side of the window. The password is «Ave María Purísima» (Hail Mary most pure). The monja replies «Sin pecado concebida» (Conceived without sin). Then you tell her which size box of almonds you want. You put the money on the turntable, then the monja turns it around and BAZINGA! There are your delicious almonds.

The nuns use the money to finance their convent. You get delicious almonds for dirt cheap. It’s a win-win situation. Also, God wants you to give monies to the convent. And you get delicious almonds for dirt cheap. So it’s a win-win-win.

To summarize: «Ave María Purísima» = delicious almonds.

 

Additional Information:

Useful information:

  • Address: Calle de las Beatas, 5
  • Tel:+34 918 88 03 05

 

Access from Madrid

  • Renfe Cercanías railroads C-1, C-2 and C7A.
  • Bus nº 223 (departure from Avenida de América Interchanger).

 

Image gallery:

On video:

Where is it


View larger map

 

Convento de los Trinitarios Descalzos

Convento de los Trinitarios Descalzos

El Convento de los Trinitarios Descalzos es un gran ejemplo de las glorias y miserias de la ciudad de Alcalá de Henares, pues de su nacimiento por unos frailes pobres, pasó a ser impulsado por un noble de origen genovés, convirtiéndose ya en el siglo XIX  en cuartel de la caballería militar, después Comandancia Militar y en los últimos años ser restaurado y albergar el universitario Instituto Franklin de Investigación en Estudios Norteamericanos.

Los Trinitarios y Cervantes

A la intensa historia de la ciudad de Alcalá que se refleja como en un espejo en este Convento de los Trinitarios Descalzos, hay que añadir el cruce de destinos de la orden religiosa con el padre de la novela española, Miguel de Cervantes. Este célebre escritor fue rescatado en 1580, tras cinco años de cautiverio en las prisiones de Argel, por los frailes trinitarios Juan Gil y Antonio de la Bella, quienes pagaron a los sarracenos quinientos escudos por liberar al escritor.

El Convento de los Trinitarios Descalzos fue fundado en 1601 por el santo Juan Bautista de la Concepción, que había estudiado Teología en Alcalá, y quien también fundó la orden de los Trinitarios Descalzos, reformando la de los Trinitarios Calzados con normas más estrictas.

El Convento de los Trinitarios Descalzos está situado en la calle del mismo nombre y que da a la plaza de Cervantes, hace escuadra con el colegio de Málaga, sede de la facultad de Filosofía y Letras de la universidad de Alcalá. Primero fue una casa pequeña la que adquirió el fundador, que daba al callejón de Mataperros, y un par de años después compró un par de casas más, donde él y sus compañeros instalaron un hospicio.

El lugar se fue ampliando, y tras algunos roces con el colegio de Málaga, intercambiaron terrenos y ya en 1626 se empezó a construir el convento, que, terminado en 1639, se unió a la ciudad universitaria diseñada por Cisneros.

Sin embargo, la iglesia tardó más tiempo. Comenzó a construirse a partir de 1649 gracias al decidido patrocinio del marqués de Monesterio e importante financiero italiano Octavio Centurión, quien además siguió manteniendo a la comunidad religiosa. La obra está atribuida al maestro Sebastián de la Plaza, que tiene su lugar en el callejero alcalaíno, cerca de la plaza de los Cuatro Caños o Puerta de Mártires.

Once escalones

Aquí no encontrarás ningún suspense como en la famosa película de Hitchcock, pero sí el silencio reflexivo propio tanto de los templos, los claustros conventuales y las bibliotecas, pues no en vano aquí hay no una, sino varias.

Los once escalones son los de la escalinata que se debe subir para acceder a la pequeña lonja, o atrio descubierto con un  muro bajo alrededor, delante de la entrada de tres arcos de medio punto, por los que se pasa a la iglesia, dado que el convento está a la izquierda de la fachada, en el que hallarás un patio de dos alturas con arcos.

Que la iglesia y colegio-convento estén por encima del nivel de la calle, de manera que su sótano es la planta de calle, como podrás observar en la parte lateral de la calle San Julián, hace que sea uno de los edificios más peculiares del conjunto monumental alcalaíno, al destacar claramente entre las construcciones colindantes.

Cinco escudos

La planta de la iglesia del Convento de los Trinitarios Descalzos es de cruz latina de cuatro tramos, con una cúpula sobre el crucero o centro que desde fuera se ve como una torre cuadrangular, siguiendo el esquema trazado por Juan de Herrera y su discípulo Francisco de Mora, y que conformó el estilo típico de las iglesias de todo el siglo XVII en España.

En 1994, tras pasar el edificio de los Trinitarios a la universidad, se quitó un balcón que había en pleno centro de la fachada, y se colocaron en su lugar los escudos de su patrono,  Octavio Centurión, el de la Comandancia Militar y el de la Universidad de Alcalá, así como dos blasones de la Orden Trinitaria flanqueando la ventana que ilumina el coro,  en el frontón triangular superior, para reflejar las diferentes etapas por las que ha pasado.

Curiosidad
 Este Convento de los Trinitarios Descalzos contaba con algo de gran valor: nieve almacenada. Tenía un pozo de nieve, que era uno de los pocos y raros lujos que podía tener una comunidad religiosa en aquella época.

El pozo de la nieve

Una curiosidad relativa a este Convento de los Trinitarios Descalzos es que contaba con algo de gran valor: nieve almacenada. Tenía un pozo de nieve, que era uno de los pocos y raros lujos que podía tener una comunidad religiosa, al igual que la ciudad tenía algunas balsas de nieve a buen resguardo en los montes cercanos o como en el convento, en sótanos bajo pozos.

Después, como hielo o pulverizada, se usaba en la comida y bebida y además se vendía, de manera que era un monopolio para el que había que tener expresa licencia real y estaba sujeta a impuestos. De ello da fe el dato de que los Trinitarios Calzados tenían el suyo, que les permitía, por ejemplo, poder consumir 1.408 libras de nieve en el año de 1771.

Esplendor recuperado

En 1839, tras la Desamortización por la que el Gobierno de la época expropió numerosos bienes a a la iglesia católica, tanto la iglesia como el convento fueron cedidos al Arma de Caballería, lo que motivó que el interior se transformase para los usos propios del ejército. Mucho más tarde, pasó a ser la Comandancia Militar, lo que trajo nuevas modificaciones, como que a los lados de la escalera estuviesen dos cañones decorativos.

Tras la restauración al que el convento e iglesia fueron sometidos por la universidad en 1996, con la que se trató de recuperar su estado primitivo, es la sede del Centro de Estudios Norteamericanos, que incluye fondos del Instituto «Benjamin Franklin» y de la Biblioteca Cervantina, con cerca de treinta mil volúmenes de consulta y préstamo.

Más información:

Información de interés:

  • Dirección: Calle Trinidad 1
  • Teléfono: +34 91 885 52 52

Accesos desde Madrid

  • Renfe Cercanías C-1, C-2 y C7A.
  • Bus nº 223 (salidas desde el Intercambiador de Avenida de América).

Galería de imágenes:

En vídeo:

Dónde está


Ver mapa más grande

The Discalced Trinitarian Convent

Convento de los Trinitarios Descalzos

The Discalced Trinitarian Convent is a great example of the glories and miseries of the city of Alcalá. Since its foundation by modest monks, it has been promoted by a noble with Finnish origin, turned into a quarter of cavalry during the nineteenth century, into Command Headquarter, and over the last years it was restored to hold the university Instituto Franklin of Researching in relation to American Studies.

Trinitarian Order and Cervantes

To the intense history of Alcalá, reflected as if it was a mirror in this Discalced Trinitarian Convent, it should be added the crossing of destinies of the religious order with the father of the Spanish novel, Miguel de Cervantes. The notable writer was rescued in 1580 by Trinitarian monks— Juan Gil and Antonio de la Bella, who paid to Saracens five hundred escudos (old Spanish currency) to release the writer—from the prisons of Algiers after five years of captivity.

The Discalced Trinitarian Convent was founded in 1601 by the Saint Juan Bautista de la Concepción, who studied theology in Alcalá, and who also founded the Order of the Discalced Trinitarian by reforming that of Trinitariansadding stricter rules.

The Discalced Trinitarian Convent is situated in the street with the same name which leads to plaza de Cervantes, and square with colegio de Málaga—head office of the faculty of Philosophy and Letters of the University of Alcalá. First, it was a small house purchased by the founder, which looks out onto callejón de Mataperos, and a couple of years later he bought a pair of more houses, where he and his companions allocated an hospice.

The place was gradually extended until, after some frictions with colegio de Málaga, they exchanged their lands. In 1626, the convent started to be constructed, ended in 1639, it was linked to the university campus designed by Cisneros.

However, the church settlement took more time. The construction began in 1649 thanks to the resolute sponsorship of the marquis of Monasterio and the important Italian financial Octavio Centurión—who besides supported for a long time the religious community. The work is attributed to the maestro Sebastián de la Plaza, who occupies its place in an alley of Alcalá, near plaza de los Cuatro Caños or Puerta de Mártires.

Eleven Steps

Unlike Hitchcock movie, you will not find any suspense in the reflexive silence typical of temples, cloisters of convents and libraries, so not for nothing there are not one, but several.

The eleven steps are those of the flight of stairs in which top you may access to a small market—or open-air porch—with a low wall surrounding it. Placed in front of the three Roman arches entry—through which you access the church—you will find a two-height garden with arches, on the left of the façade and next to the convent.

The fact is that the church and the school-convent are above the street level. Thus, the basement is the ground floor—as you may observe in a side of the calle San Julián—, giving the building a rather peculiar aspect within the whole monumental center of Alcalá, clearly outstanding among adjoining buildings.

Five Coats of Arms

The church inside the Discalced Trinitarian Convent has the Crux immisa shape, divided in four sections, with a dome over the transept—or center—which is seen from the outside as a square tower, following the outline of a design of Juan de Herrera and his disciple Francisco de Mora. Their style has been strengthened as the typical of seventeenth-century Spanish churches.

In 1994, after going past the Trinitarians building and the university, a balcony of the center of the façade was removed and in its place, its patron coats of arms were placed—Octavio Centurión, Command Headquarter and the University of Alcalá, as well as two emblems of the Trinitarian Order flanking the window enlightening the chorus, from the superior triangular pediment reflecting the different stages by which the convent went by.

Curiosity
This Discalced Trinitarian Convent count on something of great value: stored snow. A snow well was one of the few and rare luxuries that a religious community could have in that period.

The Snow Well

A curiosity related to the Discalced Trinitarian Convent is that it counted on something of great value: stored snow. A snow well was one of the few and rare luxuries that a religious community could have, a luxury the city holds as well, as it had some snow storages safely hidden in the closest hills or in the convent, into wells at the basement.

Afterwards, like ice or powdered, the snow was used as food and drink. It was also possible to sell it under the possession of a Royal license that gives the vendor the monopoly of the market, only subjected to taxes. The original Trinitarians had their own license, vouching that royalty allowed them, for instance, consuming 1408 pounds of snow during the year 1771.

Recovered Magnificence

In 1839, after the Ecclesiastical Confiscation by which the Government of that period expropriated numerous goods to the Catholic Church, both the church and the convent were ceded to Arma de Caballería, which motivated that the inside was allocated for uses characteristics of the army. Later on, it became the Command Headquarter, which conveyed new alterations, like two decorative cannons placed aside the staircase.

After the restoration undertaken by the university in both, convent and church, in 1996, the original state was tried to be recovered. Today, it is the head office of the Center of American Studies, including collections from Instituto » Benjamin Franklin» and from Cervantes’ Library, with near thirty thousand reference and lending volumes.

Additional Information:

Useful information:

  • Address: Calle Trinidad 1
  • Telephone: +34 91 885 52 52

 

Access from Madrid

  • Renfe Cercanías railroads C-1, C-2 and C7A.
  • Bus nº 223 (departure from Avenida de América Interchanger).

 

Image gallery:


On video:

Where is it


View larger map

 

The Discalced Trinitarian Convent

Convento de los Trinitarios Descalzos

Este texto también está disponible en español

The Discalced Trinitarian Convent is a great example of the glories and miseries of the city of Alcalá. Since its foundation by modest monks, it has been promoted by a noble with Finnish origin, turned into a quarter of cavalry during the nineteenth century, into Command Headquarter, and over the last years it was restored to hold the university Instituto Franklin of Researching in relation to American Studies.

Trinitarian Order and Cervantes

To the intense history of Alcalá, reflected as if it was a mirror in this Discalced Trinitarian Convent, it should be added the crossing of destinies of the religious order with the father of the Spanish novel, Miguel de Cervantes. The notable writer was rescued in 1580 by Trinitarian monks— Juan Gil and Antonio de la Bella, who paid to Saracens five hundred escudos (old Spanish currency) to release the writer—from the prisons of Algiers after five years of captivity.

The Discalced Trinitarian Convent was founded in 1601 by the Saint Juan Bautista de la Concepción, who studied theology in Alcalá, and who also founded the Order of the Discalced Trinitarian by reforming that of Trinitariansadding stricter rules.

The Discalced Trinitarian Convent is situated in the street with the same name which leads to plaza de Cervantes, and square with colegio de Málaga—head office of the faculty of Philosophy and Letters of the University of Alcalá. First, it was a small house purchased by the founder, which looks out onto callejón de Mataperos, and a couple of years later he bought a pair of more houses, where he and his companions allocated an hospice.

The place was gradually extended until, after some frictions with colegio de Málaga, they exchanged their lands. In 1626, the convent started to be constructed, ended in 1639, it was linked to the university campus designed by Cisneros.

However, the church settlement took more time. The construction began in 1649 thanks to the resolute sponsorship of the marquis of Monasterio and the important Italian financial Octavio Centurión—who besides supported for a long time the religious community. The work is attributed to the maestro Sebastián de la Plaza, who occupies its place in an alley of Alcalá, near plaza de los Cuatro Caños or Puerta de Mártires.

Eleven Steps

Unlike Hitchcock movie, you will not find any suspense in the reflexive silence typical of temples, cloisters of convents and libraries, so not for nothing there are not one, but several.

The eleven steps are those of the flight of stairs in which top you may access to a small market—or open-air porch—with a low wall surrounding it. Placed in front of the three Roman arches entry—through which you access the church—you will find a two-height garden with arches, on the left of the façade and next to the convent.

The fact is that the church and the school-convent are above the street level. Thus, the basement is the ground floor—as you may observe in a side of the calle San Julián—, giving the building a rather peculiar aspect within the whole monumental center of Alcalá, clearly outstanding among adjoining buildings.

Five Coats of Arms

The church inside the Discalced Trinitarian Convent has the Crux immisa shape, divided in four sections, with a dome over the transept—or center—which is seen from the outside as a square tower, following the outline of a design of Juan de Herrera and his disciple Francisco de Mora. Their style has been strengthened as the typical of seventeenth-century Spanish churches.

In 1994, after going past the Trinitarians building and the university, a balcony of the center of the façade was removed and in its place, its patron coats of arms were placed—Octavio Centurión, Command Headquarter and the University of Alcalá, as well as two emblems of the Trinitarian Order flanking the window enlightening the chorus, from the superior triangular pediment reflecting the different stages by which the convent went by.

Curiosity
This Discalced Trinitarian Convent count on something of great value: stored snow. A snow well was one of the few and rare luxuries that a religious community could have in that period.

The Snow Well

A curiosity related to the Discalced Trinitarian Convent is that it counted on something of great value: stored snow. A snow well was one of the few and rare luxuries that a religious community could have, a luxury the city holds as well, as it had some snow storages safely hidden in the closest hills or in the convent, into wells at the basement.

Afterwards, like ice or powdered, the snow was used as food and drink. It was also possible to sell it under the possession of a Royal license that gives the vendor the monopoly of the market, only subjected to taxes. The original Trinitarians had their own license, vouching that royalty allowed them, for instance, consuming 1408 pounds of snow during the year 1771.

Recovered Magnificence

In 1839, after the Ecclesiastical Confiscation by which the Government of that period expropriated numerous goods to the Catholic Church, both the church and the convent were ceded to Arma de Caballería, which motivated that the inside was allocated for uses characteristics of the army. Later on, it became the Command Headquarter, which conveyed new alterations, like two decorative cannons placed aside the staircase.

After the restoration undertaken by the university in both, convent and church, in 1996, the original state was tried to be recovered. Today, it is the head office of the Center of American Studies, including collections from Instituto » Benjamin Franklin» and from Cervantes’ Library, with near thirty thousand reference and lending volumes.

Additional Information:

Useful information:

  • Address: Calle Trinidad 1
  • Telephone: +34 91 885 52 52

 

Access from Madrid

  • Renfe Cercanías railroads C-1, C-2 and C7A.
  • Bus nº 223 (departure from Avenida de América Interchanger).

 

Image gallery:


On video:

Where is it


View larger map

 

Centro Comercial Alcalá Magna

Centro comercial Alcalá Magna
Centro comercial Alcalá Magna

¿Te apetece un día de compras? El Centro Comercial Alcalá Magna dispone de 34.000 metros cuadrados de superficie para alojar todo tipo de tiendas, en total 100 establecimientos y 1500 plazas de aparcamiento gratuito.

Entre las tiendas más emblemáticas figuran las del grupo Inditex (Zara, Massimo Dutti, ‎Bershka, Pull & Bear, Oysho), C&A, H&M, Cortefiel, Sfera, Amichi, Benetton, etc. También tiene un Mercadona para realizar tus compras de alimentación y droguería, diversos restaurantes como Vip’s, Muerde la Pasta o Wok & Teppanyaki, cafeterías y un gimnasio (Virgin Active Alcalá).

Acceder a él es muy sencillo, puedes hacerlo en autobús (líneas 3 y 2) o incluso caminando, porque está a unos 15 minutos el centro de Alcalá.

[gdl_gallery title=»alcala-magna» width=»275″  height=»200″]

Cómo llegar al Centro Comercial Alcalá Magna:

Desde Madrid

  • Tren cercanías Líneas C-1, C-2 y C7A.
  • Autobús 223 (salidas desde Intercambiador de Avenida de América).

 

Desde Alcalá

  • Autobuses urbanos Líneas 2 y 3, con parada en la Comisaría de Policía.

 

Dirección:

Calle: Valentín Juara Bellot 4
28806 Alcalá de Henares
Teléfono: +34 830 51 51

Más información:

 

 

Alcalá Magna Shopping Center

Centro comercial Alcalá Magna

Shopping day?

Discover the newest shopping center in Alcalá de Henares. Built in 2007, it has about 100 different shops (clothes, shoes, books, mobile phones, restaurants, food and so on), and it’s easily reachable by bus (lines 3 and 2) or even walking as it is near the center of Alcala (about 15 minutes).
 

[gdl_gallery title=»alcala-magna» width=»170″ height=»120″]

 

Where is it: 

Calle: Valentín Juara Bellot 4
Teléfono: +34 830 51 51

 

More information: 

 

Iglesia de Santa María la Mayor

Iglesia de Santa María la Mayor
Iglesia de Santa María la Mayor

La Iglesia de Santa María la Mayor pertenecía al Colegio Máximo de los Jesuitas, situado al lado, y su fachada es la más monumental, tras la de la Universidad, de toda Alcalá.

El la Iglesia de Santa María la Mayor destacan su impresionante portada y sus capillas, entre ellas la renovada de las Santas Formas, dedicada al milagro que conservaba incorruptibles una colección de hostias consagradas.

Se comenzó a construir en 1567, pero tres años después se pararon las obras por problemas económicos, solventados gracias a las donaciones de María y Catalina de Mendoza. Trazada por el padre Bartolomé de Bustamante, su construcción fue dirigida por los maestros arquitectos Francisco de Mora y su sobrino Juan Gómez de Mora, que la terminaron en 1620 , y cinco años después, la fachada.

Modelo de arquitectura jesuita

El estilo de la Iglesia de Santa María la Mayor siguió los estrictos y nuevos conceptos arquitectónicos dictados tras el Concilio de Trento, en los que se fusionaba lo antiguo con lo nuevo, pero dando una gran importancia a la función de lugar de reunión de los fieles, que tenían  que ser simétricos y tener buena acústica.

El gran modelo para los templos hechos por la Compañía de Jesús fue la iglesia del Gesú de Roma, y el gran ejemplo de tal estilo en España, en los siglos XVII y XVIII, es precisamente la iglesia de los Jesuitas de Alcalá, actual sede de la parroquia de Santa María la Mayor -que antes estuvo en la plaza de Cervantes hasta su incendio en 1936-.

Fachada impresionante

En la impresionante fachada de la Iglesia de Santa María la Mayor es de destacar las dobles columnas gigantes, que presentan las imágenes de San Pedro y San Pablo, abajo, y en la parte superior, las de San Ignacio de Loyola y de San Francisco Javier, todas ellas esculpidas por el portugués Manuel Pereira. También se pueden apreciar dos escudos de las Mendoza, sobre unos frontones de arco.

En el interior de la Iglesia de Santa María la Mayor se respira una sensación de grandeza, a lo que contribuyen sus dimensiones, tanto de la planta y las capillas laterales, como de la altura y la propia cúpula. El retablo principal es de destacar como muestra de transición del estilo herreriano al barroco, y por la espléndida custodia que contiene.

El milagro de las Santas Formas

Desde la Iglesia de Santa María la Mayor se accede a la capilla de las Santas Formas, levantada en 1718 y restaurada en 2011, llamada así para conmemorar el milagro de veinticuatro hostias consagradas que no se descomponían nunca, y que tienen una historia llena de avatares, ocurrido en los finales del siglo XVI (más información aquí). Alberga importantes pinturas murales del pintor Juan Vicente de la Ribera, de 1699.

El milagro ocurrió a partir de que un morisco, el 1 de mayo de 1597, que había robado veintiséis formas de alguna iglesia, se arrepintió y fue a confesarse con el padre jesuita Juan Juárez, en la iglesia que había donde después se construiría la actual de los Jesuitas o de Santa María la Mayor.

Las hostias no se usaron en ninguna misa, por temor a que pudieran estar envenenadas, cosa que ya había ocurrido, ni las destruyeron porque se consideraba irrespetuoso hacerlo al estar consagradas. Por ello, se guardaron en una cajita de plata, esperando que se corrompieran, momento en el que se podrían desechar definitivamente.

Sin embargo, ocurrió que no se descompusieron, y tras ser sometidas a diversas pruebas, se proclamó el milagro de su incorruptibilidad en 1619. A partir de ese momento se expandió su culto popular, con la total aprobación de las autoridades eclesiásticas, recibiendo todo tipo de indulgencias papales y contando con un día propio de fiesta, la cual se fijó en el quinto domingo después del de Resurrección, a mediados de mayo.

Las visitas de Carlos III, José Bonaparte y Alfonso XII

El culto a las Santas Formas alcanzó tal magnitud desde los primeros momentos que ya cuando fueron guardadas en la iglesia de los Jesuitas, en su capilla, recién terminada, se celebró una gran procesión a la que acudió el rey Felipe III y su esposa la reina Margarita de Austria junto con todas las autoridades civiles y religiosas alcalaínas, recorriendo con toda solemnidad las calles de nuestra ciudad, engalanadas para tal ocasión con tapices y colgaduras.

En 1777 las Santas Formas se trasladaron a la Catedral Magistral, y los fieles acudían en tal cantidad que hubo que regular su asistencia. También acudieron a rendirles culto numerosos monarcas, como Carlos II, Carlos III (en 1759), José Bonaparte, en 1810, (a quien se atribuye la donación de un anillo que coronaba la cruz de la custodia donde estaban las Santas Formas), Fernando VII (en 1816), Alfonso XII y la reina María Cristina en 1880.

Con el incendio de la Catedral Magistral en 1936 desaparecieron esa custodia y las propias Santas Formas, y después de la guerra desapareció también la celebración de lo que había sido la fiesta más importante y popular de Alcalá, más que la de los Santos Niños, la de la Virgen del Val, o las fiestas de fin de agosto.

Información de interés:

  • Dirección: Calle Libreros, 25

 

Accesos desde Madrid

  • Tren cercanías Líneas C-1, C-2 y C7A.
  • Autobús 223 (salidas desde Intercambiador de Avenida de América).

 

Galería de imágenes:

En vídeo:

Dónde está


Ver mapa más grande

 

Santa María la Mayor Church

Iglesia de Santa María la Mayor
Iglesia de Santa María la Mayor

Next to the Jesuit institution Colegio Máximo and as part of it, the Santa María la Mayor Church—with the Alcalá’s most monumental façade after that of the University—is placed.

Into the building of Santa María la Mayor Church, the façade and chapels stands out. Among these chapels, the renovated chapel of Santas Formas is dedicated to the miracle of the incorruptible collection of consecrated wafers.

Its construction started at 1567, but after three years, the works were stopped due to economic problems that were solved thanks to María and Catalina de Mendoza donations. Bartolomé de Bustamante’s father designed the building, and its construction was leaded by the architects Francisco de Mora and his nephew Juan Gómez de Mora, who finished it in 1620 and its façade five years after.

Jesuit model of architecture

The style of the Santa María la Mayor Church followed the strict and new architectonic concepts dictated by the Council of Trent, where the old and new were merged conferring great importance to the faithful meeting place—which symmetrical shape and good acoustics.

The prime example of Society of Jesus temples was the Church of the Gesù in Rome, and the typical model of that style in Spain, within seventeenth and eighteenth century, is precisely the Jesuit church in Alcalá. Currently, the Jesuit church has been replaced by the Santa María la Mayor Church—which, until a fire in 1936, was situated at Plaza de Cervantes.

An impressive façade

The Santa María la Mayor Church impressive façade comprises giant double columns with several relevant images. While in the upper part Saint Ignatius of Loyola and Saint Francis Xavier are represented, in the lower part images of Saint Peter and Saint Paul are sculpted, all of them by the Portuguese Manuel Pereira. Over the arch pediments, the two Mendoza’s coats of arms can be appreciated.

A feeling of greatness is breathed in the inside of Santa María la Mayor Church transmitted through its dimensions—both main floor and side chapels—and the height of the dome. The main altarpiece and its splendid monstrance attract attention and show the transition style to Herrerian Baroque.

The miracle of the Santas Formas

The entrance to Santas Formas chapel is placed inside Santa María la Mayor Church. The chapel put up in 1718 and restored in 2011, was named commemorating the miracle of the twenty-four consecrated wafers that never rot and whose history—full of ups and downs—, took place at the end of sixteenth century (read more). Important mural paintings of Juan Vicente de la Ribera, dating back from 1699, are kept.

The miracle happened on May 1st, 1597, when a Moorish stole twenty-six figures from a church and, regretting it, confessed his sins to the Jesuit father Juan Juárez—in the church placed where after the actual Jesuitas or Santa María la Mayor Church would be constructed.

The wafers were not used in any mass for fear of them being poisoned—which had already happened before—but they were not destroyed because, as they were already consecrated, it might has been considered disrespectful. As a result, they were kept in a small silver box, waiting them to rot; moment in which they could be finally threw out.

Notwithstanding, they did not rot at all, and after test them in different ways, the miracle of their incorruptibility was proclaimed in 1619. Since that moment, its popular worship was spread, with the total approval of ecclesiastical authorities who proclaimed all sorts of papal indulgences and established their own feast, set up the fifth Sunday after Resurrection, in the middle of May.

Charles III, Joseph Bonaparte and Alfonso XII visits

The Santas Formas worship reached such a magnitude since the miracle was known that when wafers were kept into the Jesuit church—into the newly-made chapel—, a great procession was celebrated. The King Philip III and his wife the Queen Margaret of Austria—along with every civil and religious authorities of Alcalá—attended to the procession, winding solemnly its way through the city streets, adorned with hanging tapestries celebrating that occasion.

In 1777, the Santas Formas were moved to the Magisterial Cathedral and the faithful showed up in such quantity that their assistance had to be controlled. Also numerous monarchs went to worship, such as Charles II, Charles III (in 1759), Joseph Bonaparte (who in 1810 was claimed to have donated a ring set on top of the cross where Santas Formas were kept), Ferdinand VII (in 1816), Alfonso XII and the Queen Maria Christina (in 1880).

With the fire of the Magisterial Cathedral in 1936, the Santas Formas and its custody disappeared.  After the war, the celebration of the miracle ceased, even though it was the most important and popular festivity of Alcalá, even more than Saints Children, Virgin of the Val, or the festivities of the end of August.

Additional information:

Useful information:

  • Address: Calle Libreros, 25

 

Access from Madrid

  • Renfe Cercanías railroads C-1, C-2 and C7A.
  • Bus nº 223 (departure from Avenida de América Interchanger).

Image gallery:

[gdl_gallery title=»iglesia-de-santa-maria-la-mayor» width=»120″ height=»95″]

On video:

Where is it


View larger map

 

Santa María la Mayor Church

Iglesia de Santa María la Mayor
Iglesia de Santa María la Mayor

Este texto también está disponible en español

Next to the Jesuit institution Colegio Máximo and as part of it, the Santa María la Mayor Church—with the Alcalá’s most monumental façade after that of the University—is placed.

Into the building of Santa María la Mayor Church, the façade and chapels stands out. Among these chapels, the renovated chapel of Santas Formas is dedicated to the miracle of the incorruptible collection of consecrated wafers.

Its construction started at 1567, but after three years, the works were stopped due to economic problems that were solved thanks to María and Catalina de Mendoza donations. Bartolomé de Bustamante’s father designed the building, and its construction was leaded by the architects Francisco de Mora and his nephew Juan Gómez de Mora, who finished it in 1620 and its façade five years after.

Jesuit model of architecture

The style of the Santa María la Mayor Church followed the strict and new architectonic concepts dictated by the Council of Trent, where the old and new were merged conferring great importance to the faithful meeting place—which symmetrical shape and good acoustics.

The prime example of Society of Jesus temples was the Church of the Gesù in Rome, and the typical model of that style in Spain, within seventeenth and eighteenth century, is precisely the Jesuit church in Alcalá. Currently, the Jesuit church has been replaced by the Santa María la Mayor Church—which, until a fire in 1936, was situated at Plaza de Cervantes.

An impressive façade

The Santa María la Mayor Church impressive façade comprises giant double columns with several relevant images. While in the upper part Saint Ignatius of Loyola and Saint Francis Xavier are represented, in the lower part images of Saint Peter and Saint Paul are sculpted, all of them by the Portuguese Manuel Pereira. Over the arch pediments, the two Mendoza’s coats of arms can be appreciated.

A feeling of greatness is breathed in the inside of Santa María la Mayor Church transmitted through its dimensions—both main floor and side chapels—and the height of the dome. The main altarpiece and its splendid monstrance attract attention and show the transition style to Herrerian Baroque.

The miracle of the Santas Formas

The entrance to Santas Formas chapel is placed inside Santa María la Mayor Church. The chapel put up in 1718 and restored in 2011, was named commemorating the miracle of the twenty-four consecrated wafers that never rot and whose history—full of ups and downs—, took place at the end of sixteenth century (read more). Important mural paintings of Juan Vicente de la Ribera, dating back from 1699, are kept.

The miracle happened on May 1st, 1597, when a Moorish stole twenty-six figures from a church and, regretting it, confessed his sins to the Jesuit father Juan Juárez—in the church placed where after the actual Jesuitas or Santa María la Mayor Church would be constructed.

The wafers were not used in any mass for fear of them being poisoned—which had already happened before—but they were not destroyed because, as they were already consecrated, it might has been considered disrespectful. As a result, they were kept in a small silver box, waiting them to rot; moment in which they could be finally threw out.

Notwithstanding, they did not rot at all, and after test them in different ways, the miracle of their incorruptibility was proclaimed in 1619. Since that moment, its popular worship was spread, with the total approval of ecclesiastical authorities who proclaimed all sorts of papal indulgences and established their own feast, set up the fifth Sunday after Resurrection, in the middle of May.

Charles III, Joseph Bonaparte and Alfonso XII visits

The Santas Formas worship reached such a magnitude since the miracle was known that when wafers were kept into the Jesuit church—into the newly-made chapel—, a great procession was celebrated. The King Philip III and his wife the Queen Margaret of Austria—along with every civil and religious authorities of Alcalá—attended to the procession, winding solemnly its way through the city streets, adorned with hanging tapestries celebrating that occasion.

In 1777, the Santas Formas were moved to the Magisterial Cathedral and the faithful showed up in such quantity that their assistance had to be controlled. Also numerous monarchs went to worship, such as Charles II, Charles III (in 1759), Joseph Bonaparte (who in 1810 was claimed to have donated a ring set on top of the cross where Santas Formas were kept), Ferdinand VII (in 1816), Alfonso XII and the Queen Maria Christina (in 1880).

With the fire of the Magisterial Cathedral in 1936, the Santas Formas and its custody disappeared.  After the war, the celebration of the miracle ceased, even though it was the most important and popular festivity of Alcalá, even more than Saints Children, Virgin of the Val, or the festivities of the end of August.

Additional information:

Useful information:

  • Address: Calle Libreros, 25

 

Access from Madrid

  • Renfe Cercanías railroads C-1, C-2 and C7A.
  • Bus nº 223 (departure from Avenida de América Interchanger).

Image gallery:


On video:

Where is it


View larger map

 

Mercado Medieval de Alcalá de Henares 2015

En el Mercado medieval de Alcalá de Henares (Mercado del Cervantes o Mercado del Quijote), todo el casco histórico se convierte en un escenario vivo que nos transporta al siglo XVII. Allí podrás disfrutar de puestos callejeros, vendedores, artesanos, figurantes, cantantes e incluso vecinos ataviados a la manera de la época.

Es el más grande de España y de Europa, con cerca de 300.000 visitantes. Desde el año 2000 Alcalá celebra el Mercado medieval (o Gran Mercado del Quijote) en la semana que conmemora el bautismo de Miguel de Cervantes (9 de octubre de 1547) y dentro del marco de la Semana Cervantina, en la que se desarrollan actividades de diversa índole.

Mercado Medieval 2015 de Alcalá de Henares

La edición 2015 del Mercado Cervantino arrancará el jueves 8 de octubre, en vísperas de la fiesta local del 9 de octubre por el aniversario del bautismo de Miguel de Cervantes; y concluirá el lunes 12, fiesta nacional por la Virgen del Pilar.

Si realmente añoras el Mercado Medieval, quizás quieras recordar todo lo que dio de sí el del año pasado en nuestro Especial Mercado Medieval 2104 de Alcalá de Henares.

El Mercado medieval recibe su nombre debido a la popularización en toda España de ese nombre para este tipo de mercados históricos (cabe destacar, además del alcalaíno, los de Puebla de Sanabria y de San Froilán, en León), pero en el caso de Alcalá las vestimentas y decoración son siempre de los siglos XVI-XVII, época en la nació y vivió Miguel de Cervantes.

Curiosidad
El Mercado medieval de Alcalá es el mayor de España y de Europa, pues ocupa todo el casco histórico, desde la plaza de San Diego, donde se ubica la universidad, hasta la plaza de Palacio, donde está el Palacio Arzobispal, al lado de la plaza de los Santos Niños. En los últimos años ha recibido alrededor de los trescientos mil visitantes.

El Mercado Medieval más grande de Europa

El Mercado medieval de Alcalá es el mayor de España y de Europa, pues ocupa todo el casco histórico, desde la plaza de San Diego, donde se ubica la universidad, hasta la plaza de Palacio, donde está el Palacio Arzobispal, al lado de la plaza de los Santos Niños.

En los últimos años ha recibido alrededor de los trescientos mil visitantes. Se pueden encontrar alimentos elaborados de forma artesanal, como empanadas, miel y licores, como así también aperos, flores secas, muñecas de trapo, objetos esotéricos y una gran variedad de objetos elaborados artesanalmente, en muchos casos a la vista de los visitantes.

Hasta los mismos centros de información se adaptan al ambiente medieval, ya que todo el personal involucrado en la organización del evento, se viste con ropa de la época. Todos los puestos y quienes los atienden, ya sean comerciantes, artesanos o ayudantes, van vestidos con ropajes de la época de Cervantes.

Los puestos se decoran de manera exhaustiva a la manera de la época, y el Ayuntamiento exige detalles estrictos para que esto se cumpla, como la prohibición de llevar relojes o joyas, o de usar el móvil a la vista de la gente. Esto evita lo de aquella famosa anécdota de los spaguetti western, en los que se veía a feroces apaches con relojes brillando en las muñecas, lo que rompía el efecto escénico. Por eso, tampoco encontrarás en el Mercado medieval de Alcalá ningún sitio donde te entreguen lo que compres en una bolsa de plástico, ni verás a la vista nada hecho con este material. Igualmente, los puestos se cubren y decoran con telas, pieles e incluso ramas y vegetación, lográndose un efecto muy conseguido de época. Todos los detalles se cuidan al máximo, como se ve en que no se usan balanzas actuales, sino las llamadas balanzas romanas, de hierro y pesas.

Suscríbete a Dream! Alcalá

Si te ha interesado esta información, suscríbete a Dream! Alcalá y recibe en tu correo electrónico nuestras últimas noticias:

Búhos, músicos y tradición

Son calles y calles, y plazas y rincones donde se instalan los más de trescientos puestos. Encontrarás productos alimenticios tradicionales, como miel, empanadas, pan hecho allí mismo en un horno portátil -podrás ver al tahonero preparando la masa delante del público-, dulces y bizcochos, licores, chacinas y embutidos típicos, de flores secas, perfumes, hierbas medicinales, objetos esotéricos…

En el Mercado medieval de Alcalá podrás ver cómo se fabrican piezas en madera, en barro o en piedra, cestos y joyas de plata, producto de los oficios tradicionales, y ver a muchos de estos artesanos realizando su trabajo ante los viandantes. Igualmente, en cualquier calle, en cualquier rincón encontrarás pequeños espectáculos de calle, bien sean representaciones teatrales cortas, encantadores de serpientes o cetreros con un halcón o un búho en el puño enguantado -aunque el ave está domesticada hasta el punto de que la gente se hace fotos con ella, incluso los niños, que se lo pasan realmente en grande con todas estas actividades-.

Saludando a Don Quijote y Sancho

En el Mercado medieval de Alcalá, en cualquier momento te encontrarás por las calles, muchas de ellas cubiertas de paja al estilo medieval, a grupos de músicos con instrumentos antiguos tocando música alegre a los que siguen grupos de gente que los animan, o a los mismísimos Don Quijote y Sancho Panza, a caballo y burro, o a pie, a los que podrás saludar en plena calle Mayor, igual que verás a niños paseando en burro, guiado por un mozo, por la plaza de Cervantes o aledaños.

Un ejemplo de los objetos que sólo se pueden encontrar aquí, a menos que se busquen con mucho esfuerzo en tiendas especializadas, es una réplica en miniatura del ajedrez de la isla de Lewis. Se trata del primer ajedrez que incluye la figura de la reina como tal, siendo una representación femenina que data del siglo XII.

Semana Cervantina

El mercado cervantino se enmarca en la Semana Cervantina, llena de actos para conmemorar el bautismo de Cervantes en Alcalá. Se hace una lectura pública de El Quijote, y un desfile cívico del Ayuntamiento a la Capilla del Oidor con la partida de bautismo del escritor. Y entre otras muchas actividades, tienen lugar las Jornadas Gastronómicas, donde más de una docena de restaurantes ofrecen menús cervantinos, inspirados en la época del Siglo de Oro pero con un toque contemporáneo, y la Feria del Libro Antiguo y de Ocasión, que se asienta en la plaza de los Santos Niños.

Vídeos:

Galería de imágenes:

[gdl_gallery title=»mercado-de-cervantes-2013″ width=»125″  height=»100″] Descubre más imágenes del Mercado Medieval en Google.

Más información:

 

Mediaeval Market

Mercado Medieval o Gran Mercado del Quijote de Alcalá de Henares

The Mediaeval Market or Great Don Quixote’s Market is one of the main cultural and gastronomic events of Alcalá de Henares and the biggest market of Europe.

The Mediaeval Market of Alcalá de Henares (or Don Quixote’s Market ) turns the complete historical city center into an alive scenery that transfers us back to the seventeenth century. In there you can admire street stalls, vendors, artisans, walk-on extras, singers and even neighbors dress up in that period way. It is the biggest market of Spain and Europe, with almost 300,000 visitors.

The Mediaeval Market of Alcalá de Henares (or Don Quixote’s Market) is celebrated since 2000 within the framework of Cervantes’ Week —in which activities from diverse nature are developed— with a view to commemorate Miguel de Cervantes’s baptism (October 9th, 1547).

This kind of historical markets became popular all over Spain and give the name of Mediaeval Market not only to Alcalá’s one, but also to other relevant fairs such as Puebla de Sanabria and San Froilán, in León. Notwithstanding, in the case of Alcalá, clothing and decoration always date back from sixteenth and seventeenth centuries, period in which Miguel de Cervantes was born and lived.

Curiosity
Alcalá’s Mediaeval Market is the biggest of both Spain and Europe, considering that the complete historical city center is occupied by the fair—from plaza de San Diego, where the university is placed, to plaza de Palacio, where the Archbishop’s Palace is located, next to plaza de los Santos Niños. Over the last years, the market welcomed more than three hundred thousand visitors.

Europe’s biggest market

Alcalá’s Mediaeval Market is the biggest of both Spain and Europe, considering that the complete historical city center is occupied by the fair—from plaza de San Diego, where the university is placed, to plaza de Palacio, where the Archbishop’s Palace is located, next to plaza de los Santos Niños. Over the last years, the market welcomed more than three hundred thousand visitors.

Homemade food such as meat pies, honey or liquors can be found, as well as handicraft trappings, dried flowers, rag dolls, esoteric objects and a great variety of craft objects, in many occasion in sight of visitors.
Even information centers get involved into the mediaeval environment, as all staff involved in the event organization get dressed with period clothing.

Every stall and its vendors, any trader, artisan or assistant are dressed up with clothing from Cervantes period. The stalls are exhaustively decorated in the period way, and the City Council demands a strict attention to details so as to create such environment: the prohibition of carrying watches or jewelry, or using the mobile phone in view of visitors. Doing this, the famous story in which a scene of spaghetti westernwhere fierce Apaches carried watches shining in their wrists ruined the stage performance could be avoided.

That is why you will not find in any stall within Alcalá’s Mediaeval Market anyone who gives you whatever you buy inside a plastic bag; neither will you see anything in the market made with that material. Likewise, the stalls are covered and decorated with fabrics, furs and even branches and vegetation, achieving a very well-made mediaeval environment. Every detail is carefully selected, as it can be observed by the use of Roman scales—made of iron and weights—instead of the current electronic ones.

Owls, Musicians and Tradition

There are streets after streets, and squares and corners, where more than three hundred stalls are set up. You will find traditional food products, such as honey, pies, bread newly-made in a portable oven—public can see how the baker prepares the dough—sweets and lady fingers, liquors, typical cold cuts, dried flowers, perfumes, medicinal plants, esoteric objects…

Wood, mud and stone pieces are made at Alcalá’s Mediaeval Market, as well as hampers and silver jewels, traditional trader’s objects. Many of those artisans do their jobs in front of passers-by; likely, in any street or any corner, visitors meet smalls street exhibitions, either short theatre performances, snake charmers or falconers with his gloves—covering his fist and wrist—holding falcons or owls—though birds are domesticated up to the point that people can take photographs with them, even children, who have a really good time with all these activities.

Greeting Don Quixote and Sancho

Into the Alcalá’s Mediaeval Market, you may find at any time along the street—many of them covered with straw with the period style—groups of musician with old instruments playing cheerful music and followed by groups of people enliven the march—even the very same Don Quixote and Sancho Panza, riding a horse or a donkey, who you may greet in the middle of calle Mayor, just like you will see children riding donkeys, guided by a groom, by plaza de Cervantes or its outskirts.

A replica of the Lewis chessmen in miniature is an example of the objects that only can be found in that market—unless you look effortlessly for it in specialist shop. It is the first chess that includes the figure of the queen as such, being a feminine representation dating back from twelfth century.

Cervantes’ Week

The Cervantes’ Market is part of the Cervantes’ Week, full of acts for commemorating Cervantes’ baptism in Alcalá such as a public reading of Don Quixote and a municipal parade from the City Council to the Oidor Chapel with the writer’s baptismal certificate.

Among many others activities, the Gastronomical Days, where more than a dozen restaurants offer Cervantes’ menus—inspired in the Golden Age period with a contemporary touch—; and the Old and Secondhand Book Fair, set up at plaza de los Santos Niños.

 

Videos:

Image Gallery:

[gdl_gallery title=»mercado-medieval» width=»125″  height=»100″]

[gdl_gallery title=»mercado-de-cervantes-2013″ width=»125″  height=»100″]
Discover more images of the Mediaeval Market in Google.

Additional Information:

 

Oidor Chapel

Plaza de Cervantes - Capilla del Oidor

Oidor Chapel is the place that holds the font in which Miguel de Cervantes was baptized in the Catholic Faith, on October 9, 1547. The original baptismal certificate that gives evidence is still preserved and showed every year in his baptism date.

The Oidor Chapel holds, beside the font, the interpretation center “Los Universos de Cervantes”. The center is fully devoted to the writer’s figure and offers endless expositions about the world created by him. The building comprises the Antezana and Cristo de la Luz chapels, as well as the Oidor Chapel.

The Oidor Pantheon

The Oidor Chapel is the oldest remaining of former Santa María La Mayor church (see picture)—situated today at calle Libreros. This church, that underwent numerous changes, was initially laid down upon a thirteenth century shrine called San Juan de Letrán or de los Caballeros, one of the oldest of Alcalá, where city nobility used to be buried.

The chapel was named upon don Pedro Díaz de Toledo—Oidor or Judge of the King John II of Castile—who decided to build up the property in the beginning of the fifteenth century in order to hold in it, as a pantheon, his remains and those of his family. The Oidor was a judge who heard both parts of a dispute in behalf of the king and, as the time went by, he turned to play not just a juridical role but also a high relevant political actor.

Restorations and air bombardments

In 1453, the archbishop Carrillo promoted the foundation of Santa María de Jesús Convent. For that purpose, he chose the emplacement of Santa María la Mayor church and so, the building was moved where San Juan shrine and the Oidor Chapel were constructed, merging the buildings and forming a compound of three naves with semicircular apses and a tower.

A century after, the enclosure was renovated by the architect of the university façade, Rodrigo Gil de Hontañón, with the intention of building a big temple; at the end, though, only two sections of the nave were constructed.

Later, in the seventeenth century, the Cristo de la Luz chapel, the tower and the sacristy compounded the whole at the back.

After several restorations, at the beginning of the Civil War, the church was set fire and bombed, so it was mostly destroyed. Its remains were used to reconstruct other buildings, and just the chapels and the isolated tower remained, available to be visited.

Recently, in 1982, a complete restoration was undertaken and the whole turned into the most important exposition hall in the city. The interpretation center “Los universos de Cervantes” was created in 2005, the year of the fourth century of Don Quixote’s publication. The center holds expositions about the author, both temporary and permanent, and as time passed, several expansions have been provided, resulting in more space within the building.

Curiosity
The Oidor Chapel shows the font where Miguel de Cervantes de Saavedra—author of Don Quixote of La Mancha—was baptized.

Cervantes font

A magnificent sixteenth century grille and an arch decorated with Mudéjar plasterwork—an authentic historical jewel—lead the way into the Oidor Chapel. Inside the building, the font in which Miguel de Cervantes was baptized is showed. This is not the genuine font but a reconstruction from several original fragments recovered, and if you look carefully when turning around the font, you can notice the original pieces.

Another curiosity concerning the several reconstruction undertaken in the Oidor Chapel: the original place of the font was the base of Santa María tower, situated outside the chapel and that it is possible to visit. The font was moved to its actual emplacement in the 1905 restoration undertaken due to the third centenary of Don Quixote.

It is also possible to contemplate a facsimile from the Miguel de Cervantes baptism certificate, whose original document is hold in the City Council. It is also possible to see the original each 9th of October, anniversary of Cervantes baptism.

Reproductions of Cervantes’ siblings baptism certificates are still hold in the Oidor Chapel as well as several objects and documents given by individuals collectors of the city, such as a Don Quixote manuscript performed by Alcalá’s school students on the occasion of the novel’s fourth centenary in 2005.

Virtual visit to the Oidor Chapel and panoramic visits to Alcalá from Santa María la Mayor tower.

Additional information:

 

Useful information:

  • Address: Plaza Rodríguez Marín
  • Telephone: +34 91 879 73 80
  • Opening hours M-F: from 12:00 a.m. to 2:00 p.m. and 5.00 p.m. to 8.00 p.m. (Monday closed)
  • Saturday openings: From 12:00 a.m. to 2:00 p.m. and from 5:00 p.m. to 8:00 p.m.
  • Holiday openings: From 12:00 a.m. to 2:00 p.m. and from 5:00 p.m. to 8:00 p.m.
  • Ticket price: Free entrance

 

Access from Madrid

  • Renfe Cercanías railroads C-1, C-2 and C7A.
  • Bus nº 223 (departure from Avenida de América Interchanger).

 

Image gallery:

[gdl_gallery title=»capilla-del-oidor» width=»120″ height=»95″]

On video:

Walking around the Plaza de Cervantes

Where is it


View larger map